Toua Tokuchi is an athlete by profession, but a reckless gambler at heart. On the streets of Okinawa, he uses nothing but his wits and a "fastball" peaking at a mere 134 kmph to somehow achieve 499 wins in the game of "One Outs," a simplified version of baseball between the pitcher and one batter. Amazed by Toua's unique prowess on the mound, veteran slugger Hiromichi Kojima artfully scouts the pitcher for his long unsuccessful team, the Saikyou Saitama Lycaons. Kojima desperately hopes Toua will lead them to the championship; however, Tsuneo Saikawa, the mercenary owner of the Lycaons, sees the vastly talented pitcher as a threat to the income generated by the team. Rising to the challenge of swaying the owner, Toua suggests a one-of-a-kind "One Outs" contract: every out Toua pitches will earn him five million yen, but with every run he gives up, he will lose fifty million yen. Adapted from the manga by Shinobu Kaitani of Liar Game fame, One Outs documents the intense psychological battles between Toua and those around him. With millions of yen at stake, can a pitcher who has done nothing but gamble in a head-to-head imitation of baseball finally lead a real baseball team to victory? [Written by MAL Rewrite]

Haruhi Fujioka is a bright scholarship candidate with no rank or title to speak of—a rare species at Ouran Academy, an elite school for students of high pedigree. When she opens the door to Music Room #3 hoping to find a quiet place to study, Haruhi unexpectedly stumbles upon the Host Club. Led by the princely Tamaki Suou, the club—whose other members include the "Shadow King" Kyouya Ootori; the mischievous Hitachiin twins, Kaoru and Hikaru; the childlike Mitsukuni Haninozuka, also known as "Honey"; and his strong protector Takashi "Mori" Morinozuka—is where handsome boys with too much time on their hands entertain the girls in the academy. In a frantic attempt to remove herself from the hosts, Haruhi ends up breaking a vase worth eight million yen and is forced into becoming the eccentric group's general errand boy to repay her enormous debt. However, thanks to her convincingly masculine appearance, her naturally genial disposition toward girls, and fascinating commoner status, she is soon promoted to full-time male host. And before long, Haruhi is plunged into a glitzy whirlwind of elaborate cosplays, rich food, and exciting shenanigans that only the immensely wealthy Host Club can pull off. [Written by MAL Rewrite]

All of a sudden, they arrived: parasitic aliens that descended upon Earth and quickly infiltrated humanity by burrowing into the brains of vulnerable targets. These insatiable beings acquire full control of their host and are able to morph into a variety of forms in order to feed on unsuspecting prey. Sixteen-year-old high school student Shinichi Izumi falls victim to one of these parasites, but it fails to take over his brain, ending up in his right hand instead. Unable to relocate, the parasite, now named Migi, has no choice but to rely on Shinichi in order to stay alive. Thus, the pair is forced into an uneasy coexistence and must defend themselves from hostile parasites that hope to eradicate this new threat to their species. [Written by MAL Rewrite]

Taking a break from the hustle and bustle of Tokyo, Souta Tawara returns to his hometown in Kagawa. Though his parents are no longer around, his former home and family-owned udon restaurant reminds him of the times his family was still together. Reminiscing about his childhood, Souta enters the udon restaurant and discovers a grimy young boy sleeping. At first, Souta thinks nothing of the chance encounter and provides the boy with food and clothing. However, to his surprise, the boy suddenly sprouts a furry pair of ears and a tail! Souta soon learns that the nameless boy is actually the rumored shapeshifting tanuki that has been inhabiting Kagawa for many years. Thinking that the boy has been living a lonely life, he decides to take him in and name him Poko. Udon no Kuni no Kiniro Kemari follows the heartwarming relationship between Souta and Poko, and through the time they spend together, Souta recalls his own past, the place he left behind for the city, and the relationship he had with his father. [Written by MAL Rewrite]